OPERA2DAY

SOCIÉTÉ DES CLAQUEURS

In the heyday of French opera theatre took place not only on the stage, but also in the hall, as happened with the performances in The Hague. Groups of audience members who fuelled the applause (so-called 'claqueurs') sat in the hall, and incited the audience to laughter ('rieurs'), to crying ('pleureurs', mostly women with handkerchiefs), and were directed by the chefs de claque ('leaders of the applause'). With such enthusiastic supporters, the success of the productions was of course ensured.  

Tongue in cheek, the association of the friends of OPERA2DAY salutes this tradition. By becoming a member of the Société des Claqueurs you prove your unconditional support for the company and its projects. OPERA2DAY is a cultural Public Benefit Organisation (ANBI), which means that your financial support can provide tax benefits.

CALCULATE YOUR TAX BENEFITS

 

The Société des Claqueurs is made up of:

Supporters

They support OPERA2DAY with an amount of their choice, for which we are very grateful.

PAY YOUR DONATION SAFELY AND EASILY

 

Claqueurs € 100 a year

The ‘claqueurs’ were the people who fuelled the applause during the performances. As an OPERA2DAY claqueur you warmly support our company. Therefore we wish to closely involve you in our activities.

Especially for our Claqueurs:

  • Our special Société newsletter
  • Be the first to know about our new productions and projects
  • Two discount tickets per production
  • A badge – to make you recognisable among the audience :-)

REGISTER AS A CLAQUEUR

 

Rieur et Pleureur € 250 a year

The ‘rieurs’ laughed loudest at the jokes in the generally comic operas, whereas the ‘pleureurs’, as true actors among the audience, wiped away a tear during the beautiful arias. As an OPERA2DAY Rieur et Pleureur you stay with our company through thick and thin. Therefore we wish to closely involve you in our activities.

Especially for our Rieur et Pleureur:

  • Our special Société newsletter
  • Be the first to know about our new productions and projects
  • One free and one discount ticket per production
  • A look behind the scenes, an invitation to an open rehearsal or other special Société activity
  • A badge – to make you recognisable among the audience :-)

REGISTER AS A RIEUR ET PLEUREUR

 

Chef de Claque € 500 a year

The ‘Chef de Claque’ signalled the claqueurs when to clap. They were thus the ones who led the applause and knew the operas best. As a Chef de Claque of OPERA2DAYyou are a true pillar of support for the company. Therefore we wish to closely involve you in our activities.

Especially for our Chef de Claque:

  • Our special Société newsletter
  • Be the first to know about our productions and projects before everyone else
  • Two free tickets per productions
  • A look behind the scenes, an invitation to an open rehearsal or other special Société activities
  • A badge – to make you recognisable among the audience :-)

REGISTER AS A CHEF DE CLAQUE

 

Commissaire € 1000 a year

Unbeknownst to the public, the entire netword of “involved” audience members was directed by the Commissaire. The commissaire knew the opera’s by heart, knowing exactly when the audience was supposed to cry or laugh. As a commissaire you are a true ambassador and close friend to our company.

Especially for our Commissaire des Claqueurs:

  • Our special Société newsletter
  • Be the first to know about our productions and activities
  • Six free tickets per production
  • A look behind the scenes, an invitation to an open rehearsal or other special Société activities
  • A badge - to make you recognisable to the audience :-) 

REGISTER AS A COMMISSAIRE DES CLAQUEURS

 

 


Illustration of a scene by Couperus’ Eline Vere. During a performance of Carmen, a fight started in the audience between the claqueurs en pleureurs who supported the tenor who sang Don José, and the subscribers who considered the singer playing Escamillo to be the real star. In the end, the two singers fought not only for Carmen and the beauty who sang this role, but also went to arms against each other with ‘Spanish daggers’.

 
On Thursday 6 September 1838, a performance of the opera La Juive by Halévy had to be cancelled. Star-tenor Raguenot refused to perform anymore, in protest against the audience claquers who were in support of one of the female singers. The performance was cancelled at the very last minute: audience and musicians stand in turmoil outside the Schouwburg.

 

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