Don Giovanni
In the autumn of 2012, OPERA2DAY presented a staged version of Mozart’s Don Giovanni. It was the first time OPERA2DAY realized a fully international co-production, in collaboration with Juventus Lyrica from Argentina. The seeds for a co-operation between the two organisations were sown in 2010 when OEPRA2DAY was invited to take part in the Argentinean production of Cosí fan Tutte. Thanks to the Dutch contribution, this was the first ever staged production of a classical opera on historical instruments in Argentina. With four sold out performances and rave reviews, a follow up production to such a success was inevitable. Don Giovanni is a production that was performed in both Argentina and The Netherlands. In addition to this, OPERA2DAY created a facebookopera, whose prologue was visited by Princess Máxima.
In Don Giovanni, the partners made good use of their respective strengths, thereby making the project of cultural interest in both countries. Argentinean singers are renowned for their affinity with Italian repertoire. The singers are passionate, versatile and expressive, making them a dream cast for the most famous of Mozart’s ‘Italian trilogy’. On the other hand, The Netherlands is known for its expertise on historical performance practises and performance on period instruments. The combination of these two forces results in a special timbre, something that was an important ingredient in the success of Cosí fan Tutte.
Both these strengths were exploited to the full in Don Giovanni: Juventus Lyrica was responsible for the staging and singers, whilst the musical direction and the orchestra were provided by OPERA2DAY. In this manner, an international co-production was staged, the beauty and power of which was an eye opener for the Dutch audience.
As far as OPERA2DAY can ascertain, this is the first time that Don Giovanni will be performed in a staged version with authentic instruments in both countries. This excludes the semi-staged production in the nineties by John Elliot Gardiner in the Concertgebouw. The 'Annalen van de operagezelschappen in Nederland 1886 > 1995', an online production catalogue of all the Dutch theatrical establishments, shows that all staged productions have been on modern instruments.
Don Giovanni was first performed in Prague in 1787. A year later, Mozart and Da Ponte made a few modifications for a production in Vienna. We will perform the Viennese version.
Our production of Don Giovanni received its première on 7 September 2012 in Teatro Avenida in Buenos Aires. For an overview of the responses we received, click here.
The Dutch performances took place in The Hague and in Rotterdam.
The production was sung in Italian with Dutch subtitles.
In the foyer a programm booklet was being sold. This is a somewhat special book with a catalogue of all of Don Giovanni’s conquests, not only from the distant past but also from the present time through our Facebook opera. In addition to this, there is of course a synopsis, more information about the cast and photos of the production.
With thanks to
The opera and facebook opera productions of Don Giovanni are only possible thanks to the support of:
Gemeente Den Haag (specifically under the programme for Haags Muzikaal Toptalent)
Fonds Podiumkunsten (NFPK)
Prins Bernhard Cultuurfonds ism Mozart/Wagner Fonds
Stichting Fonds voor Cultuurparticipatie
Stichting VSBfonds
Fonds 1818
Société Gavigniès
Culturalis
Rens-Holle stichting
Stichting Niemeijer Fonds
Act 1
Leporello, Don Giovanni's servant, complains of his lot. He is keeping watch while Don Giovanni rapes or seduces the Commendatore's daughter, Donna Anna. When the two appear, Giovanni is masked and Donna Anna is holding onto his arm. Something has happened and she insists on knowing his true identity; before he can break free from her grasp she cries for help. The Commendatore appears and forces Giovanni to fight a duel. Donna Anna flees into the house. Giovanni kills the Commendatore with his sword and escapes with Leporello. Anna, returning with her fiancé, Don Ottavio, is horrified to see her father lying dead in a pool of his own blood. She makes Ottavio swear vengeance against the unknown murderer.
Giovanni is immediately attracted to peasant girl Zerlina when he sees her, and he attempts to remove the jealous Masetto by offering to host a wedding celebration at his castle. On realizing that Giovanni means to remain behind with Zerlina, Masetto becomes angry. Don Giovanni and Zerlina are soon alone and he immediately begins his seductive arts.
Elvira arrives and thwarts the seduction. She leaves with Zerlina. Ottavio and Anna enter, plotting vengeance on the still unknown murderer of Anna's father. Anna, unaware that she is speaking to the attacker, pleads for Giovanni's help. Giovanni, relieved that he is unrecognised, readily promises it, and asks who has disturbed her peace. Before she can answer, Elvira returns and tells Anna and Ottavio that Giovanni is a false-hearted seducer. Giovanni tries to convince Ottavio and Anna that Elvira is insane. As Giovanni leaves, Anna suddenly recognizes him as her father's murderer. Ottavio, not convinced, resolves to keep an eye on his friend.
At one of Don Giovanni's many parties, Leporello distracts Masetto by dancing with him, while Don Giovanni leads Zerlina offstage to a private room. When Zerlina screams for help, Don Giovanni tries to fool the onlookers by dragging Leporello into the room and threatening to kill him for assaulting Zerlina. But Ottavio produces a pistol, and the three guests unmask and declare that they know all. But despite being denounced on all sides, Don Giovanni escapes – for the moment.
Act 2
Leporello threatens to leave Giovanni, but his master calms him with a peace offering of money. Wanting to seduce Elvira's maid, Giovanni persuades Leporello to exchange cloak and hat with him. Elvira comes to her window. Seeing an opportunity for a game, Giovanni hides and sends Leporello out in the open dressed as Giovanni. From his hiding place Giovanni sings a promise of repentance, expressing a desire to return to her, while Leporello poses as Giovanni and tries to keep from laughing. Elvira is convinced and descends to the street. Leporello, continuing to pose as Giovanni, leads her away to keep her occupied while Giovanni serenades her maid with his mandolin.
Before Giovanni can complete his seduction of the maid, Masetto and his friends arrive, searching for Giovanni with the intent of killing him. Giovanni (dressed as Leporello) convinces the posse that he also hates Giovanni, and joins the hunt. After cunningly dispersing Masetto's friends, Giovanni takes Masetto's weapons away, beats him up, and runs off, laughing. Zerlina arrives and consoles the bruised and battered Masetto.
Leporello abandons Elvira. As he tries to escape, Ottavio arrives with Anna, consoling her in her grief. Just as Leporello is about to slip through the door, which he has difficulty finding, Zerlina and Masetto open it and, seeing him dressed as Giovanni, catch him before he can escape. When Anna and Ottavio notice what is going on, all move to surround Leporello, threatening him with death. Elvira tries to protect the man who she thinks is Giovanni, claiming that he is her husband and begging for pity. The other four are resolved to punish the traitor, but Leporello removes his cloak to reveal his true identity. He begs everyone's forgiveness and, seeing an opportunity, runs off.
Leporello tells Don Giovanni of his brush with danger, and Giovanni taunts him, saying that he took advantage of his disguise as Leporello by trying to seduce one of Leporello's girlfriends. But the servant is not amused, suggesting it could have been his wife, and Don Giovanni laughs aloud at his servant's protests. The voice of the statue warns Giovanni that his laughter will not last beyond sunrise. At the command of his master, Leporello reads the inscription upon the statue's base: "Here am I waiting for revenge against the sacrilegious one who gave me death". The servant trembles, but the unabashed Giovanni orders him to invite the statue to dinner, threatening to kill him if he does not. Leporello makes several attempts to invite the statue to dinner but for fear cannot complete the task. It falls upon Don Giovanni himself to complete the invitation, thereby sealing his own doom. Much to his surprise, the statue nods its head and responds affirmatively.
Giovanni revels in the luxury of a great meal, served by Leporello, and musical entertainment during which the orchestra plays then-contemporary late-18th-century operatic music. Elvira appears, saying that she no longer feels resentment for Giovanni, only pity. Surprised by her lack of hatred, Giovanni asks what it is that she wants, and she begs him to change his life. Giovanni taunts her and then turns away, praising wine and women as the "support and glory of humankind". Hurt and angered, Elvira gives up and leaves. A moment later, her scream is heard from outside the walls of the palace, and she returns only to flee through another door. Giovanni orders Leporello to see what has upset her; upon peering outside, the servant also cries out, and runs back into the room, stammering that the statue has appeared as promised. An ominous knocking sounds at the door. Leporello, paralyzed by fear, cannot answer it, so Giovanni opens it himself, revealing the statue of the Commendatore. The Commendatore offers a last chance to repent, but Giovanni adamantly refuses. The statue sinks into the earth and drags Giovanni down with him. Hellfire, and a chorus of demons, surround Don Giovanni as he is carried below.
Donna Anna, Don Ottavio, Donna Elvira, Zerlina, and Masetto arrive, searching for the villain. They find instead Leporello hiding under the table, shaken by the supernatural horror he has witnessed. Giovanni is dead. Anna and Ottavio will marry when Anna's year of mourning is over; Elvira will spend the rest of her life in a convent; Zerlina and Masetto will finally go home for dinner; and Leporello will go to the tavern to find a better master. The concluding ensemble delivers the moral of the opera – "Such is the end of the evildoer: the death of a sinner always reflects his life".
Team and cast Holland
Conductor Hernán Schvartzman
Stage director Ana d'Anna
Stage design and lighting design Ana d'Anna
Costumes María Jaunarena
Don Giovanni Martijn Cornet
Commendatore - Masetto Maximiliano Michailovsky
Donna Anna Macarena Valenzuela
Don Ottavio Carlos Ullan
Donna Elvira Mariana Carnovali
Leporello Pol Gonzalez
Zerlina Laura Polverini
Chorus Haags Vocaal Ensemble
Musical rehearsal chorus MaNOj Kamps/ Béni Csillag
Scenical rehearsal chorus Pomme van Vught, met dank aan Willy Verkuil
Orchestra of OPERA2DAY on classical instruments
1st violin Monica Waisman (concertmaster), Rebecca Huber, Joseph Tan, Jacek Kurzydlo, Tomoe Mihara, Louella Alaitiit
2nd violin Kayo Saito, Luca Rizzello, Lucía Giraudo, Annegret Hoffman, Gabrielle Wunsch, Rachel Stroud
Viola Martina Forni, Seung Rok Baek, John Ma, Agnieszka Swiatkowska
Cello Nina Diehl, Anton Baba, Nika Zlataric
Double bass Tomoki Sumiya, Chen Goldsobel
Flute Carolina Perez Bergliaffa, Melody Yeomans
Oboe Diego Nadra, Antonia Sanchez Medioli
Clarinet Michal Lewkowicz, Thomas Carroll
Bassoon Dana Karmon. Gergo Farkas
Horn Laurens Otto, Gijs Laceulle
Trumpet Gabor Hegyi, Wim de Vries
Trombone Kate Rocket, Anton van Houten, Dominic Sierat
Timpani Orlando Aguilar
Fortepiano Manuel de Olaso
Mandoline Oman Kaminsky
Production team OPERA2DAY Holland
Production manager Alice Gubler
Production assistent Mieke van der Ven
Technical production and first technician Jeroen Smith
Assistent lighting designer and lighting Ariel Greblo
Technicians Michel Siebeling, Arne Haijtink, Luigi Pressani
Scenery workshop Holland Evelements
with thanks to Herbert Janse
Stage manager Pomme van Vught
Assistent stage manager Jordy Oostrik, Florie Bos
Makeup Jan Ruedisueli i.s.m. studenten van het ROC
Assistent costumes Elizabeth Tarasewicz
Dressers Tonny Bekink, Riëtte van Raamsdonk, Heleen de Bruïne, Marja Bakker
Surtitles Matthias Konecny
Surtitle operator Wim Goris
Music edition Luke Toppin
Marketing and communication Marleen Leroy, Carola van der Heyden
Graphic design Shilpi Ahmed-van der Pool
Illustration campaign, cover programm booklet, teaser video Brigitte Hennequin
Educational project Mieke van der Ven, with thanks to Krista te Brake
Cast and team Argentina
Don Giovanni Ernesto Bauer, Martijn Cornet
Commendatore-Masetto Michailovski Maximiliano, Javier Martinez (cover Masetto), Nicolas Secco (cover Commendatore)
Donna Anna Valenzuela Macarena, Cirera Sabrina, Laura Delogu (cover)
Don Ottavio Carlos Ullan, Ivan Maier
Donna Elvira Mariana Carnovali, Sabrina Cirera (cover)
Leporello Pol Gonzalez, Juan Salvador Trupia, Nicolas Secco (cover)
Zerlina Laura Polverini, Laura Penchi, Cecilia Vega (cover)
Juventus Lyrica
Artistic director Ana D’Anna
Musical director Antonio Maria Russo
Business manager María Jaunarena
Organisation Juventus Lyrica
Andrea Sbarra, Mariana Mazzeo, Julia Arango, Sofía Lanternier
Production team Argentina
Production manager Natalia Cappa
Technical production Florencia Bengolea
Costumes workshop Norma Chain, Norma Sanchez, Lizi Tarasewicz
Assistent costumes Cecilia Diéguez, Norma Chain, Fernanda Madroñal, Lorena Estebenet, Nicolás Isasi
Head makeup Juan Gasparini
Head hair Ricardo Fasan
Hair and makeup Ana Mariñas, Mariela Arocena
Lighting Fernando Micucci
Assistent lighting Greblo Ariel
First technician Bengolea Florencia
Stage manager Battipede Gabriela
Surtitles Natalia Natalucci
Surtitle operator Agustin Trincavelli
Prompter Alejandra Ochoa
Rehearsal pianist Matias Galindez, Leonel Fisher
Rehearsal chorus Hernán Schvartzman
Chorus coordination Claudio Vescovo
Scenery workshop Gustavo García, Amadeo Domínguez, Tomás Cernik
Understudies Holland
Donna Anna Carolina Luppers
Donna Elvira Elvire Beekhuizen
Don Giovanni Máté Fülep
Leporello Joao Veloso Paixao
Zerlina Maria Valdmaa
Masetto / Commendatore Andreas Goetze
Rehearsal pianist for understudies Cynthia Liem and Elsbeth Remijn
Tuesday 02 Oct 2012 - 19:30 HOUR
Theater Rotterdam (Schouwburg), Rotterdam
Addres: Schouwburgplein 25
City: 3012 CL Rotterdam
Phone: 010 - 40 44 111
Saturday 29 Sep 2012 - 19:30 HOUR
Koninklijke Schouwburg, Den Haag
Addres: Korte Voorhout 3
City: 2511 CW Den Haag
Phone: 088 356 5 356
Friday 28 Sep 2012 - 19:30 HOUR
Koninklijke Schouwburg, Den Haag
Addres: Korte Voorhout 3
City: 2511 CW Den Haag
Phone: 088 356 5 356
Thursday 27 Sep 2012 - 19:30 HOUR
Koninklijke Schouwburg, Den Haag
Addres: Korte Voorhout 3
City: 2511 CW Den Haag
Phone: 088 356 5 356
Wednesday 26 Sep 2012 - 13:00 HOUR
Koninklijke Schouwburg, Den Haag
Addres: Korte Voorhout 3
City: 2511 CW Den Haag
Phone: 088 356 5 356